Saturday, 21 October 2017

The Afrasiab Chessmen 7th Century (Located 1977)

These are the earliest known Chess pieces.  They were found at Afrasiab, near Samarkand, Uzbekistan by archaeologist and historian Prof. Jurij F. Burjakov in 1977

The set is made of ivory and consists of 7 pieces. They are conserved at the State Museum of Samarkand. It is dated from 6th to 8th century. About 700 AD and before 712 AD (because a coin so dated belongs to the same layer) is the most reliable (cf G. Semenov 2007).


Saturday, 16 September 2017

Saturday, 12 August 2017

Magnus (2016)

Magnus is the moving and inspirational true story of the Norwegian boy who, in his early twenties, managed to achieve and maintain the highest rating in chess history, going on to become the greatest chess champion of modern times. Through the glare of flashbulbs and the jostling of officials, we go deep inside the world of a uniquely gifted child-prodigy, applying a hitherto unseen instinctive playfulness to the serious mental sport of chess. Director Benjamin Ree's thought-provoking documentary takes us on a ten-year journey, tracing the earliest developments of Magnus life, as he rises to the pinnacle of his career. Through unprecedented access to home movies and Magnus inner circle we are permitted a look at the dramatic highs and lows of the emergence of a modern genius known widely as The Mozart of chess .


Available on DVD

Saturday, 10 June 2017

Shogi - Updated!

Shogi (将棋, shōgi) (/ˈʃoʊɡiː/, [ɕo̞ːŋi]), also known as Japanese chess or the Game of Generals, is a two-player strategy board game native to Japan. In the same family as chess, makruk, shatranj, janggi and xiangqi, it is the most popular chess variant in Japan. Shōgi means general's (shō 将) board game (gi 棋).


Rules
Objective
The usual goal of a game is for one player to checkmate the other player's king, winning the game.

Movement
Most shogi pieces can move only to an adjacent square. A few may move across the board, and one jumps over intervening pieces.

The lance, bishop, and rook are ranging pieces: They can move any number of squares along a straight line limited only by intervening pieces and the edge of the board. If an opposing piece intervenes, it may be captured by removing it from the board and replacing it with the moving piece. If a friendly piece intervenes, the moving piece must stop short of that square; if the friendly piece is adjacent, the moving piece may not move in that direction at all.
 
Notation
Steps to an adjacent square
Jumps to a non-adjacent square, bypassing any intervening piece
Ranges along a straight line, crossing any number of empty squares



A king (玉/王) moves one square in any direction, orthogonal or diagonal.
Czech Association Shogi
A rook (飛) moves any number of squares in an orthogonal direction.

A bishop (角) moves any number of squares in a diagonal direction. Because they cannot move orthogonally, the players' unpromoted bishops can reach only half the squares of the board, unless one is captured and then dropped.

A gold general (金) moves one square orthogonally, or one square diagonally forward, giving it six possible destinations. It cannot move diagonally backwards.

A silver general (銀) moves one square diagonally, or one square straight forward, giving it five possible destinations. Because an unpromoted silver can retreat more easily than a promoted one, it is common to leave a silver unpromoted at the far side of the board. (See Promotion).

A knight (桂) jumps at an angle intermediate to orthogonal and diagonal, amounting to one square straight forward plus one square diagonally forward, in a single move. Thus the knight has two possible forward destinations. Unlike international chess knights, shogi knights cannot move to the sides or in a backwards direction. The knight is the only piece that ignores intervening pieces on the way to its destination. It is not blocked from moving if the square in front of it is occupied, but neither can it capture a piece on that square. It is often useful to leave a knight unpromoted at the far side of the board. A knight must promote, however, if it reaches either of the two furthest ranks. (See Promotion.)

A lance (香) moves just like the rook except it cannot move backwards or to the sides. It is often useful to leave a lance unpromoted at the far side of the board. A lance must promote, however, if it reaches the furthest rank. (See Promotion.)

A pawn (歩) moves one square straight forward. It cannot retreat. Unlike international chess pawns, shogi pawns capture the same as they move. A pawn must promote if it arrives at the furthest rank. (See Promotion.) In practice, however, a pawn is usually promoted whenever possible. There are two restrictions on where a pawn may be dropped. (See Drops.)

All pieces but the knight move either horizontally, vertically, or diagonally. These directions cannot be combined in a single move; one direction must be chosen.

Every piece blocks the movement of all other non-jumping pieces through the square it occupies.

If a piece occupies a legal destination for an opposing piece, it may be captured by removing it from the board and replacing it with the opposing piece. The capturing piece may not continue beyond that square on that turn. Shogi pieces capture the same as they move.

Normally when moving a piece, a player snaps it to the board with the ends of the fingers of the same hand. This makes a sudden sound effect, bringing the piece to the attention of the opponent. This is also true for capturing and dropping pieces. On a traditional shogi-ban, the pitch of the snap is deeper, delivering a subtler effect.

Promotion
A player's promotion zone consists of the furthest one-third of the board – the three ranks occupied by the opponent's pieces at setup. The zone is typically delineated on shogi boards by two inscribed dots. When a piece is moved, if part of the piece's path lies within the promotion zone (that is, if the piece moves into, out of, or wholly within the zone; but not if it is dropped into the zone – see Drops), then the player has the option to promote the piece at the end of the turn. Promotion is indicated by turning the piece over after it moves, revealing the character of the promoted piece.

If a pawn or lance is moved to the furthest rank, or a knight is moved to either of the two furthest ranks, that piece must promote (otherwise, it would have no legal move on subsequent turns). A silver general is never required to promote, and it is often advantageous to keep a silver general unpromoted. (It is easier, for example, to extract an unpromoted silver from behind enemy lines; whereas a promoted silver, with only one line of retreat, can be easily blocked.)

Promoting a piece changes the way it moves. The various pieces promote as follows:

A silver general, knight, lance, or pawn has its normal power of movement replaced by that of a gold general.
A rook or bishop keeps its original movement and gains the power to move one square in any direction (like a king). For a promoted bishop, this means it is able to reach any square on the board, given enough moves.
A king or a gold general does not promote; nor can a piece that is already promoted.
When captured, a piece loses its promoted status. Otherwise promotion is permanent.


A promoted rook ("dragon king", 龍王 ryūō) moves as a rook and as a king. Alternate forms: 龍, 竜.

A great resource by Czech Association Shogi on the rules of the game in detail can be viewed here

Saturday, 15 April 2017

Chaturanga (6th Century) - Updated

Chaturanga (Sanskrit: चतुरङ्गcaturaṅga), or catur for short, is an ancient Indian strategy game that is commonly theorized to be the common ancestor of the board games chess, shogisittuyin, and makruk.
Chaturanga is first known from the Gupta Empire in India around the 6th century AD. In the 7th century, it was adopted as chatrang (shatranj) in Sassanid Persia, which in turn was the form of chess brought to late-medieval Europe.
The exact rules of chaturanga are unknown. Chess historians suppose that the game had similar rules to those of its successor, shatranj. In particular, there is uncertainty as to the moves of the Gaja (elephant).
Krishna and Radha playing chaturanga on an 8×8 ashtāpada

Rules

  • Raja (king) (also spelled Rajah): moves one step in any direction (vertical, horizontal or diagonal), the same as the king in chess. There is no castling in chaturanga.
  • Mantri (minister or counsellor); also known as Senapati (general): moves one step diagonally in any direction, like the fers in shatranj.
  • Ratha (chariot) (also known as Śakata): moves the same as a rook in chess- whereby the rook moves horizontally or vertically, through any number of unoccupied squares.
  • Gaja (elephant) (also known as Hastin): three different moves are described in ancient literature:
    1. Two squares in any diagonal direction, jumping over the first square, as the alfil in Iranian shatranj, Ethiopian senterej, Mongolian Tamerlane chess and medieval courier chess. This is a fairy chess piece that is a (2,2)-leaper.
      • The same move is used for the boat in Indian chaturaji, a four-player version of chaturanga.
      • The elephant in Chinese xiangqi has the same move, but without jumping.
      • The elephant in Korean jangqi has a very similar move, also without jumping.
    2. One step forward or one step in any diagonal direction.
      • The same move is used for the khon (nobleman) in Thai makruk and the sin (elephant) in Burmese sittuyin, as well as for the silver general in Japanese shogi.
      • The move was described c. 1030 by Biruni in his book India.
    3. Two squares in any orthogonal (vertical or horizontal) direction, jumping over the first square.
      • A piece with such a move is called a dabbābah in some chess variants. The move was described by the Arabic chess master al-Adli c. 840 in his (partly lost) chess work. (The Arabic word dabbāba in former times meant a covered siege engine for attacking walled fortifications; today it means "army tank").
      • This is reminiscent of the aforementioned chaturaji, where the elephant moves as a rook.
      • The German historian Johannes Kohtz (1843–1918) suggests, rather, that this was the earliest move of the Ratha.
  • Ashva (horse) (also spelled Ashwa or Asva): moves the same as a knight in chess.
  • Padàti or Bhata (foot-soldier or infantry) (also spelled Pedati); also known as Sainik (warrior): moves and captures the same as a pawn in chess, but without a double-step option on the first move.

Al-Adli mentions two further differences:
  • Stalemate was a win for a stalemated player. This rule appeared again in some medieval chess variants in England c. 1600. According to some sources, there was no stalemate, though this is improbable.
  • The player that is first to bare the opponent's king (i.e. capture all enemy pieces except the king) wins. In shatranj this is also a win, but only if the opponent cannot bare the player's king on his next turn.

Saturday, 7 January 2017